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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院钢之炼金术师父母见上书焦土之城和平使者万民清碑对话尼克松最佳拍档4：千里救差婆粤语使命当你走近森林野性之七人养育者第一季墨白复仇女尸美丽新世界1999独裁者古贺警察1985离过一次婚的2人未定的关系南泥湾热血合唱团(普通话版)网上卫士（国语版）远去的牧歌待到春花烂漫时重启版同志亦凡人嘿店追日2004
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院钢之炼金术师父母见上书焦土之城和平使者万民清碑对话尼克松最佳拍档4：千里救差婆粤语使命当你走近森林野性之七人养育者第一季墨白复仇女尸美丽新世界1999独裁者古贺警察1985离过一次婚的2人未定的关系南泥湾热血合唱团(普通话版)网上卫士（国语版）远去的牧歌待到春花烂漫时重启版同志亦凡人嘿店追日2004