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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院不做有钱人刺激2014你的天空第五人叠影惊潮离家童盟 第一季魅杀寻找奥特曼雷德利 第二季金三角大营救狂乱之夜盾牌 第一季丁宝桢书谜第一季登入火星犀牛季节逃亡乐队长夜危机新不了情为全人类第一季乐园2019日本火云邪神之降龙十八掌抢救工程失误
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院不做有钱人刺激2014你的天空第五人叠影惊潮离家童盟 第一季魅杀寻找奥特曼雷德利 第二季金三角大营救狂乱之夜盾牌 第一季丁宝桢书谜第一季登入火星犀牛季节逃亡乐队长夜危机新不了情为全人类第一季乐园2019日本火云邪神之降龙十八掌抢救工程失误